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Gita Govinda

Gita Govinda

A holistic detail about the 12th Century Epic Poem Gita-Govinda and its influence in Indian Classical Dance

  • Home
  • Poet
  • Significance
    • Ritualistic
    • Historical
    • Sociological
    • Theological
  • Ashta Nayika
  • Rendition in Indian Classical Dance
    • Sāmodadāmodaram (Exuberant Krishna)
    • Akleshakeshavam (Blithesome Krishna)
    • Dhrṣtavaikuṇṭa (Capricious Krishna)
    • VilakṣyalakṣmīpatiH (Apologetic Krishna)
    • ChaturachaturbhujaH (Tactful Krishna)
    • SuprītapītāmbaraH (Exultant Krishna)
  • My Footprints
  • Food for Thought
  • Glossary

VilakṣyalakṣmīpatiH

Ashtapadi 17
Ashtapadi 17
Radha as Khandita and Vipralabdha Nayika

Though split asunder by the arrows of love, Radha somehow managed to pass the night. When Her beloved came at dawn, falling at Her feet and humbly attempting to pacify Her, She condemned Him in Her jealous anger.Your reddish, drowsy, half-closed eyes tell of Your wakeful night passed in the flurry of lovemaking and expose Your ardent passion for that vraja-sundari. “Go, Mädhava! Go away, Keshava! Do not ply Me with Your deceptive words. O lotus-eyed one, go to that agreeable damsel who is quite capable of removing Your sorrow.”
OdissiBharatanatyam Mohiniattam
Researched and Developed by Srabani Basu